A weekend in Scotland

2 Jun 2026//In Life

A weekend in Scotland

Among nature, music, and art

by Thamara Kandabada

Two bees on a purple flower against a backdrop of green foliage

Last night we returned home to Belfast after a weekend in Scotland (mostly Glasgow). I went to see Big Thief there at the beautiful Barrowland Ballroom. I generally go on these weekend concert trips on my own, because The Good Lady Paralegal Her Indoors has no interest in live music (or the bands that I listen to). This time, though, the gig was on Sunday night and I had planned to take Monday off, so she suggested we make a long weekend out of it. Instead of me flying out on my own on Sunday to return on Monday, we both went on Saturday to spend 2 nights in Glasgow.

We had been to the city before on our trip to Scotland two years ago. I had visited again on my own to see Larkin Poe in 2025. The plan this time was to walk around Glasgow on Saturday, head over to Edinburgh on Sunday morning (and come back in time for the gig), and to see more of Glasgow on Monday before we flew back.

Saturday

Kelvingrove

We spent the entire morning at Kelvingrove Art Gallery and Museum. This was one of our highlights of the previous trip and we’ve always wanted to go back to spend more time there. The museum houses a wide variety of exhibits on natural history, Scottish history, and Egyptian antiquities (on loan from the British Museum). It is also refreshingly honest about the glaring atrocities of Britain’s colonial past and the part Glasgow played in it. Throughout the museum, thoughtfully written plaques call into question the enforcers of the empire who are memorialized—with buildings and roads named after them and statues built in their name—in the annals of history. But Kelvingrove is a must-visit not just because of this; the breadth of its collection alone is remarkable.

Glasgow’s Argyle Street after the rain, with the Kelvingrove art gallery barely visible through the trees on the left and Kelvin Hall on the right.

Glasgow had been freshly washed in the morning rain when we made our way towards Kelvingrove. It continued to rain throughout the day.

There is a large pipe organ in the central hall of the museum, which is played every day at 1pm. Visitors stop browsing and gather in the hall and on the surrounding balconies to witness the recital. It’s truly magnificent.

The central hall of the museum as seen from the balcony, with the large pipe organ in the front.

Having had our fill of history and culture at Kelvingrove, we headed to Mother India, an Indian restaurant across the road, for lunch. We discovered the place on our last visit and were quite impressed by the quality of the food there. Belfast has its share of Indian restaurants; sadly, every single one we’ve tried has either been overpriced or served offensively bland food, or both. We had to come back here for the real thing.

Grosvenor Picture Theatre

Unsurprisingly, I wanted to visit a film theatre while in Glasgow. I picked The Grosvenor Picture Theatre mostly because the website reads, “Glasgow’s oldest cinema has been lovingly restored to offer a truly unique experience for film lovers.” This sounded like the perfect place to watch (the 20-year old!) Kane Parsons’ Backrooms, which had been on my watchlist ever since I read about it on the A24 newsletter.

The cinema is cozily tucked away on Ashton Lane, surrounded by several bars. Being a Saturday night, it was as busy as it could get, with throngs of people milling about. When we walked into screen 2, the first thing I noticed was how the thumping bass from the music playing outside was leaking through. I chose to ignore this and settled in to see the film, which sadly did not turn out to be an enjoyable experience. It was ruined by people walking in and out of the cinema constantly—some jumping over seats to do so!—and a group of (possibly drunk) teenagers interjecting every so often, whom the manager eventually had to throw out.

Nuwani posing outside the cinema, under the large illuminated sign that reads The Grosvenor Picture Theatre.

Nuwani on the seat next to me at the cinema, illuminated by one of the small lamps installed next to every seat.

One of our tickets for the film Backrooms, with the screen number and the seat number printed on it.

A wide photo of screen 2. The vintage look of the cinema is preserved with the use of red carpets and acoustic treatment of the walls, and red leather chairs.

While it may be lucrative, I’m not convinced that the location of this cinema (neighbouring a number of very busy bars) is conducive to attracting the most well-behaved cinema-goers. The code violations I witnessed on a single visit were simply too many and too extreme to tolerate. I don’t imagine I would be back.

The film itself was quite good, however. Very creepy and very well made.

Sunday

On Sunday morning we took the train to Edinburgh; the plan was to visit the National Gallery. It had been raining that morning, but not enough to deter the multitudes that arrive every day to admire the best of Scottish art and an excellent collection of art from around the world, all displayed free of charge, across four extensive floors. The Good Lady had been here previously, but it was my first time. We could have easily spent a few days there, but we only had a few hours. I had gone off programme a bit the day before and run for more than 25 minutes on a treadmill (the hotel had a free gym; I wanted to make the best of it!), so I wanted to rest up a little before heading to the gig in the evening.

The National Gallery building as seen from the Princes Street Gardens.

Big Thief

Barrowland was a 15-minute walk from our hotel. I made my way there around 7pm, just in time for doors. A long queue had already formed around the block by then. They started letting people in shortly after I joined it, and I was fortunate enough to get quite close to the stage. Perhaps not as close as I would normally have liked to be, but I wasn’t worried. I could still see the band quite well and read the labels on the gear (which is something I like to do at every gig I go to) without straining my eyes.

Ata Kak opened the show with some energetic music that had everyone dancing. I had not heard of him or of his music before this. It was a pleasant surprise.

Big Thief took the stage around 9pm. They performed a mix of new and old tracks, including my favourites Mary (from the album Capacity) and Not (from the album Two Hands). I posted a video of their performance of Not on my /Gigs page; it was every bit as powerful as I had hoped it would be. The audience was abuzz with a palpable energy that night; I must say I enjoyed every minute of it.

The band on stage, mid-performance. They’re illuminated by soft orange and purple lights while the audience in the foreground looks on.

Adrianne Lenker on her knees while performing the solo of the song Not. Many audience members have their phones out, filming the moment.

The multi-coloured neon signage on the front face of the Barrowland building beautifully illuminated at night

Monday

Glasgow Necropolis

The famous Glasgow Necropolis was a short walk from our hotel. It is situated quite close to the Glasgow Cathedral which we were planning to visit and is an important piece of the city’s history. Since the 1800s many prominent Glaswegians have been buried there, with grand monuments erected in their memory. Like many other major Victorian cemeteries, it is laid out in the form of a botanic garden; this was the part I was most interested in.

A photo of the bridge that marks the entrance to the necropolis. Large monuments can be seen in the background.

The entrance to the necropolis through the Bridge of Sighs

While it is by design a resting place for the dead, there is a lot of life to be found in these grounds. It is by no means a desolate graveyard. Bees buzzing around the flower beds, squirrels in the trees, and the constant birdsong in the air make it an ideal place for quiet walks, absorbed in deep contemplation if you are so inclined. But the city is only a few minutes away, and its sounds do penetrate the invisible walls of this unlikely sanctuary occasionally—nothing like a loud car horn to remind you of the never-ending pursuit of industry.

One of the many leafy walkways through the necropolis, with trees bursting in green along both sides

A paved path through the necropolis with large trees on the left hand side, all in a brilliant green

Trees along a walkway inside the necropolis

The Glasgow Cathedral as seen from the necropolis, through tombstones and trees

Nuwani walking on a small footpath inside the necropolis, through tree branches that form a natural arch overhead

A pathway that leads through the necropolis, lined by monuments on both sides of it

A dome-shaped monument at the top of the hill on which the necropolis is built, housing the grave of William Rae Wilson, explorer and author.

A bee buzzing among the flowers that are abundant in every corner of the necropolis

Two bees rest on a purple flower, set on a background of prominent green foliage

Large trees along one of the perimeter walls of the necropolis

The necropolis is built on a small hill. At the top, on a large column, is a statue of John Knox, a theologian who played a prominent role in the Scottish Reformation. Standing at the foot of the column you can see the grounds stretch in all four directions, peaceful, quiet, and impossibly green.

Glasgow Cathedral

This impressive cathedral, first built in the 1100s, has undergone several renovations under many Bishops over the years. It is dedicated to Saint Mungo (also known as Saint Kentigern) whose tomb it enshrines. It had served as an important pilgrimage site during the medieval period. Importantly, it survived the Scottish Reformation virtually intact, while many other churches were stripped of their status and destroyed as the Protestants rebelled against traditional forms of Catholic worship.

Christian architecture fascinates me because I find its mere existence impossible to comprehend. How can such beauty and grace be imbued into places built in the service of a capricious god? How are the same people capable of committing unspeakable atrocities in the name of their god also be skilled in producing wondrous monuments to him? While impressed by the craftsmanship and artistry of it all, I remain staunchly irreligious, but even I must fess up to the following, albeit reluctantly: Christianity ain’t all bad; it gave us beautiful cathedrals (and Martin Scorsese).

A copy of the King James Bible printed in 1617 that is displayed at the cathedral inside a glass case.

A sign near the entrance of the cathedral that reads “Cathedral Church of St. Mungo. This cathedral dedicated to God in honour of St. Kentigern commonly known as St. Mungo whose bones lie beneath its floor has stood on this spot for more than six hundred years. Here God has been worshipped. Here our forefathers have confessed the Faith of Jesus Christ the Crucified, Risen and Ascended Lord. Here men and women throughout successive generations have come seeking comfort, strength, and light upon life’s way. As you go round this hallowed building remember that you are standing on holy ground. Read the story of the past. Ponder well its lessons. And think not to leave this House of God without lifting up your heart for those who were founders and builders of this church; for those who minister and worship within its walls; for this great city and its people; for your homes, your friends, and yourselves and for all the family of God. O God we have heard with our ears and our fathers have declared unto us the noble works that Thou didst in their days and in the old time before them. Shew Thy servants Thy work and their children Thy Glory.”

The stained glass windows of the choir, as seen through some wooden columns.

One of the many intricate stained glass windows of the cathedral

A sign that reads “all are welcome in this place” which is displayed on the pews.

The impressive choir of the cathedral, decorated with an ornate wooden ceiling. There is also a large pipe organ above the entrance.

A place of worship laid out inside the basement/lower part of the cathedral  building

Large stone columns inside the cathedral holding up the high ceiling

The entrance to the cathedral as seen from the outside

St. Mungo’s Museum of Religious Life and Art

This small museum is located right next to the cathedral. It showcases the beliefs and rituals of several major religions around the world, told through numerous artefacts, audio and video exhibits, and excerpts of interviews with representatives of each religious faith. Entry is free of charge. We were running out of time, so we didn’t get to see much of the museum. We will go back to see the rest of it some day.

On the way back we noticed a coffee shop located in an old police box, TARDIS-style. It was getting colder and there was a light drizzle, so we got ourselves some hot chocolate to enjoy on the way back to the hotel. That morning I had read the post James wrote about Caramel Logs, which this coffee shop happened to be selling, so we bought two of them to try. James was right; they are excellent treats with a great flavour combination, and they certainly won me—someone who generally avoids caramel-flavoured food—over.

Copperbox Coffee, a small specialty coffee shop based in the Cathedral Square in Glasgow which is run out of a blue police box.

Me holding a Tunnock’s Caramel Log, a chocolate and caramel covered wafer treat, in a red and white wrapper.

Nuwani and I holding our hot chocolate cups together

We took the bus back to the Glasgow airport and flew back home with full hearts. Scotland is a place of many delights; we aim to go back very soon.

Reference this post: When referencing this post, I prefer to be called Thamara, Thamara Kandabada, or Thamara's Notebook.
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